Sunday 23rd February 2020 Next Before Lent

Here, O My Lord, I See Thee Face To Face   Percy Whitlock (1903-1946) Words H Bonar (1808-1889)

Percy William Whitlock (1 June 1903 in Chatham, Kent – 1 May 1946 in Bournemouth), was an English organist and post-romantic composer.
Percy Whitlock studied at London's Royal College of Music with Charles Villiers Stanford and Ralph Vaughan Williams. From 1921-1930, Whitlock was assistant organist at Rochester Cathedral in Kent. He served as Director of Music at St Stephen's Church, Bournemouth for the next five years, combining this from 1932 with the role of that town's borough organist, in which capacity he regularly played at the local Pavilion Theatre. After 1935 he worked for the Pavilion Theatre full-time. A tireless railway enthusiast, he wrote at length and with skill about his interest. Sometimes, for both prose and music, he used the pseudonym "Kenneth Lark." He worked closely with the Bournemouth Municipal Orchestra; the orchestra's conductor from 1935-1940 was Richard Austin, whose father Frederic Austin dedicated his Organ Sonata to Whitlock.
Whitlock was diagnosed with tuberculosis in 1928. Near the end of his life, he lost his sight altogether, and he died in Bournemouth a few weeks before his 43rd birthday. For decades afterwards he remained largely forgotten. This neglect has eased in recent times, in particular through the activities and publications of the Percy Whitlock Trust, founded in 1983. The Percy Whitlock Trust was wound up in 2017, due to the expiry of copyright on Whitlock's compositions, and its assets and archive transferred to the Royal College of Organists.

Percy Whitlock from the Percy Whitlock Trust

Here O My Lord, I See Thee Face To Face is number 2 of 3 Introits, published in 1929.

Horatius Bonar (known to his friends as Horace Bonar) was the son of James Bonar (1758-1821), Solicitor of Excise for Scotland, and his wife Marjory Pyott Maitland. The family lived in the Broughton district of Edinburgh. He was educated in Edinburgh.
He came from a long line of ministers who served a total of 364 years in the Church of Scotland. One of eleven children, his brothers John James and Andrew Alexander were also ministers of the Free Church of Scotland He married Jane Catherine Lundie in 1843 and five of their young children died in succession. Towards the end of their lives, one of their surviving daughters was left a widow with five small children and she returned to live with her parents.
In 1853, Bonar received an honorary Doctor of Divinity degree from the University of Aberdeen.
He died at this home, 10 Palmerston Road in the Grange, 31 July 1889. They are buried together in the Canongate Kirkyard in the lair of Alexander Bonar (and his parents), near the bottom of the eastern extension.

All information from Wikipedia.

H Bonar from Wikipedia

Sunday 16th February 2020 2 Before Lent

"Thou Visitest The Earth" from "Thou O God Art Praised in Sion" Dr Maurice Greene (1696 - 1755)

"Thou Visitest The Earth" is a setting of Psalm 65 for solo tenor or baritone and SATB chorus.  In our case today, the solo was taken by one of our altos.  It is commonly used as a Harvest anthem speaking of God's blessings on the earth.

Maurice Green was born in London, his father, Thomas Greene, was chaplain of the Chapel Royal and canon of Salisbury. Young Maurice began his studies under Jeremiah Clarke and Charles King at St Paul's Cathedral. In 1714 he gained his first musical post as organist at St Dunstan-in-the-West on Fleet Street. In 1717 he became organist at St Paul's Cathedral.

Greene was a founder member of the Castle Society, established in 1724. He also helped found the Academy of Ancient Music.

In 1730, Greene was admitted "Doctor in Musica" at Cambridge University and later was made a professor of music there.

In 1735, Greene was elected Master of the King's Music, the highest musical position in the land.

Originally a friend of Handel, Handel had a disagreement with another composer, Giovanni Bononcini, but when Greene continued his friendship with Bononcini, this upset Handel and a lifelong feud ensued.

Sunday 9th February 2020 3 Before Lent

Fairest Lord Jesus  German 17th Century, translated by Lilian Sinclair Stevenson (1870-1960)
Silesian folk song (1842) arranged by Martin How.

The music is a folk song from Silesia, a culturally rich area of Europe from the 1st century, now forming part of modern day Germany, Poland and the Czech Republic.  The words are a 17th century German hymn adapted by British organist, composer and choir master Martin How.

Some think this was originally The Crusader's Hymn, sung by German crusaders as they made their way to the Holy Land.

Franz Liszt used the tune in his oratorio The Legend of St Elizabeth as a crusader's march and so the tune became known as St Elizabeth.

Martin How (1931- ) was born in Liverpool, moving to Brighton and then Glasgow just before the start of WWII.  He spent most of his childhood in Glasgow. He was awarded an organ scholarship at Clare College, Cambridge, reading Music and Theology.

He spent most of his career with the Royal School of Church Music, principally as a choir trainer, motivating and training young singers. He initiated and developed the RSCM Chorister Training Scheme used in various forms around the world.

He was appointed MBE for Services to Church Music in the 1993 New Year Honours List .

Sunday 2nd February 2020 Candlemas

When To The Temple Mary Went   Johannes Eccard (1553-1611)

Johannes Eccard was a German composer born in Mühlhausen in what is now Thuringia , Germany.  At the age of 18 he went to Munich as a pupil of Orlando Lasso and it is thought he travelled with Lasso to Paris. In 1574 he was back in Mühlhausen and stayed there for 4 years.  With Joachim a Burck he edited a collection of sacred songs, Crepundia sacra Helmboldi (1577). In 1583 he was appointed assisstant conductor and in 1599 conductor at Konigsberg. In 1608 he was called to Berlin as principal conductor, a post he only held or 3 years due to his death.

Eccard's works are mostly choral compositions for 4 to 9 voices, sacred chorales and cantatas. He is much admired by musicians for the polyphonic structure of his work.

Eccard from Wikipedia