Welcome to St Mary's choir blog

The church has both an adult and junior choir. We are affiliated to the Royal School of Church Music(RSCM). The junior choir are provided with tuition to enable them to gain their RSCM medals. The RSCM Singing Awards celebrate singers’ achievements and progress, through formal examinations at three levels; Bronze, Silver and Gold ( Bronze award is roughly equivalent to ABRSM grade 4. Similarly Silver roughly equates to grade 6 and Gold to grade 8).

The senior choir is a four part harmony choir with its main responsibility to sing at the 10am Sunday service, including an anthem.

Our choirs do not require any fees to belong to them or for any training. New members to both the senior and junior choir are always welcome whatever their standard. If you are interested in joining us please contact our Director of Music (Joanna) via the  Contact Us page.

Sunday, 15 February 2026

Sunday 15th February 2026 Sunday before Lent

 Benedictus in B flat    C V Stanford

This is the Canticle of Zechariah, father of John the Baptist,  and is taken from Luke's Gospel (Luke 1:68-79) It is sung daily at Morning Prayer.

Sir Charles Villiers Stanford (1852-1924) thought to be one of our great British composers was actually Irish, born in Dublin, although educated at The University of Cambridge and then studied music in Leipzig and Berlin.

Whilst an undergraduate, he was appointed organist of Trinity College, Cambridge and was one of the founding professors of the Royal College of Music, where he taught composition for the rest of his life.  He was also Professor of Music at Cambridge.  His pupils included Gustav Holst and Ralph Vaughan Williams whose fame went on to surpass his own.

He is best remembered for his sacred choral compositions for church performance in the Anglican tradition. Along with Hubert Parry and Alexander Mackenzie, he was thought responsible for the renaissance of music in the British Isles.



"Lead me Lord" from "Praise the Lord, O my soul" by Samuel Sebastian Wesley


"Praise the Lord, O my Soul" was written in 1861 and contains the short anthem "Lead me Lord". It was composed when Wesley was organist at Winchester College and Cathedral. "Lead me Lord " is the final section of the work, and has a wondrous simplicity with 2 short solo parts which lend themselves beautifully for young choristers starting on solo work.

Samuel Sebastian Wesley (1810 - 1876) was the illegitimate son of Samuel Wesley and Sarah Souter, and grandchild of Charles Wesley. He was a choirboy in the Chapel Royal and then embarked on a musical career.  He was appointed organist at Hereford Cathedral in 1832 and then married the Dean's sister.  He moved to Exeter Cathedral in 1835 and 1842, Leeds Parish Church, 1849 - Winchester Cathedral, 1865 - Gloucester Cathedral.  In 1839 he achieved his Bachelor of Music and Doctorate of Music from Oxford.  He became Professor of Organ in the Royal Academy of Music in 1850.

His work was almost exclusively for the Anglican church.  With Father Willis he is jointly credited with the invention of the concave and radiating pedal board for organ which has now become the standard internationally.


Samuel Wesley from Wikipedia

Sunday, 1 February 2026

 The Magnificat and Nunc Dimitis in B flat  C V Stanford

Taken from Wikipedia.

The Magnificat (Latin for "[My soul] magnifies [the Lord]") is a canticle, also known as the Song of Mary, the Canticle of Mary and, in the Byzantine tradition, the Ode of the Theotokos . It is traditionally incorporated into the liturgical services of the Catholic Church (at vespers) and of the Eastern Orthodox churches (at the morning services). It is one of the eight most ancient Christian hymns and perhaps the earliest Marian hymn. Its name comes from the incipit of the Latin version of the canticle's text.

The text of the canticle is taken directly from the Gospel of Luke (1:46–55) where it is spoken by Mary upon the occasion of her Visitation to her cousin Elizabeth. In the narrative, after Mary greets Elizabeth, who is pregnant with John the Baptist, the latter moves within Elizabeth's womb. Elizabeth praises Mary for her faith (using words partially reflected in the Hail Mary), and Mary responds with what is now known as the Magnificat.

Within the whole of Christianity, the Magnificat is most frequently recited within the Liturgy of the Hours. In Western Christianity, the Magnificat is most often sung or recited during the main evening prayer service: Vespers in the Catholic and Lutheran churches, and Evening Prayer (or Evensong) in Anglicanism. In Eastern Christianity, the Magnificat is usually sung at Sunday Matins. Among Protestant groups, the Magnificat may also be sung during worship services, especially in the Advent season during which these verses are traditionally read.

The Nunc dimittis, also known as the Song of Simeon or the Canticle of Simeon, is a canticle taken from the second chapter of the Gospel of Luke, verses 29 through 32. Its Latin name comes from its incipit, the opening words, of the Vulgate translation of the passage, meaning "Now let depart". Since the 4th century it has been used in services of evening worship such as Compline, Vespers, and Evensong.

The title is formed from the opening words in the Latin Vulgate, “Nunc dimittis servum tuum, Domine" ("Now thou dost dismiss thy servant, O Lord"). Although brief, the canticle abounds in Old Testament allusions. For example, "Because my eyes have seen thy salvation" alludes to Isaiah 52:10.

According to the narrative in Luke 2:25-32, Simeon was a devout Jew who had been promised by the Holy Spirit that he would not die until he had seen the Messiah. When Mary and Joseph brought the baby Jesus to the Temple in Jerusalem for the ceremony of redemption of the firstborn son (after the time of Mary's purification: at least 40 days after the birth, and thus distinct from the circumcision), Simeon was there, and he took Jesus into his arms and uttered words rendered variously as follows:

Lord, now lettest thou thy servant depart in peace :
according to thy word.
For mine eyes have seen :
thy salvation;
Which thou hast prepared :
before the face of all people;
To be a light to lighten the Gentiles :
and to be the glory of thy people Israel.

 Sir Charles Villiers Stanford (1852-1924) thought to be one of our great British composers was actually Irish, born in Dublin, although educated at The University of Cambridge and then studied music in Leipzig and Berlin.

Whilst an undergraduate, he was appointed organist of Trinity College, Cambridge and was one of the founding professors of the Royal College of Music, where he taught composition for the rest of his life.  He was also Professor of Music at Cambridge.  His pupils included Gustav Holst and Ralph Vaughan Williams whose fame went on to surpass his own.

He is best remembered for his sacred choral compositions for church performance in the Anglican tradition. Along with Hubert Parry and Alexander Mackenzie, he was thought responsible for the renaissance of music in the British Isles. 


head and shoulders shot of an elderly man with full head of hair, moustache and pince-nez
C V Stanford in 1921 from Wikipedia


A Clare Benediction  John Rutter

A Clare Benediction is an anthem by John Rutter, beginning May the Lord show his mercy upon you. Rutter wrote both the text and music of the composition to honour Clare College, Cambridge, where he had studied. The work was published by Oxford University Press in 1998.

Rutter, who has had a long association with Clare College, Cambridge, having read music there in the 1960s and then returning as director of the chapel choir from 1975 to 1979, composed the anthem in 1998 in honour of his Alma mater, setting his own words. It is one of several choral benedictions, always for persons or institutions with special significance to the composer. Rutter's text, beginning "May the Lord show his mercy upon you", is a prayer for protection and guidance, when sleeping or awake, in life and after. The beginning is sung by the high voices, followed answered by lines sung by the low voices, alternating. The harmony is in tonality, with chromaticism used to intensify the words "May his spirit be ever by your side", sung by all voices.

A Clare Benediction was published by Oxford University Press in 1998, in versions for different voices and keyboard or orchestra. It was included in an ecumenical collection of sacred music for occasions, Musik für Kasualien, by Carus-Verlag. With a German translation, it appears in the first and general section of volume 5, music for choir and organ.

John Rutter was born in London in 1945 and had his first musical training at Highgate School as a chorister. He studied music at Clare College, Cambridge where he wrote his first published music and had his first recording whilst still an undergraduate.

John Rutter
                                     John Rutter [Wikimedia Commons]












His compositions cover a wide variety of musical genres but he is well know by all choirs 
who must have some Rutter in their repertoire. He formed the Cambridge Singers and
spends his time composing and conducting. 

He was awarded a CBE for services to music in the 2007 Queen's New Year Honours List.

Monday, 26 January 2026

Selsey Consort

 Saturday 24th January, the Selsey Consort sang at the Bognor Regis Music Club. The consort is made up of eight people, four of whom are members of St Mary's choir and two who often sing with the church choir although not regular members.You can hear some of All in the April Evening below:

Sunday 25th January 2026 Epiphany 3

 The Call (One of Five Mystical Songs)  R Vaughan Williams


These are a collection of songs composed between 1906 and 1911 based on poems by the Welsh born English poet, George Herbert (1593-1633) who was also an Anglican priest.  There are four poems, Easter being divided into two from his 1633 collection "The Temple: Sacred Poems".  Vaughn Williams was an aethiest, but it did not stop him from setting these overtly religious poems to music.  Vaughan Williams conducted its first performance at the Three Choirs Festival in
Worcester 14th September 1911.  Originally it was composed for Baritone solo with various  accompaniments.

Come, my Way, my Truth, my Life:
Such a Way, as gives us breath:
Such a Truth, as ends all strife:
Such a Life, as killeth death. 

Come, my Light, my Feast, my Strength:
Such a Light, as shows a feast:
Such a Feast, as mends in length:
Such a Strength, as makes his guest. 

Come, my Joy, my Love, my Heart:
Such a Joy, as none can move:
Such a Love, as none can part:
Such a Heart, as joyes in love. 

Ralph Vaughan Williams (1872-1958)  was born to a wealthy family but with a good moral code and progressive social outlook.  He always sought to help his fellow citizens. He also thought his music should be available and accessible by everyone. He developed late musically not really finding himself until in his thirties. He studied with Maurice Ravel 1907-1908 and this helped him clarify the texture of his music and rid him of Teutonic influences.  He is one of our best known symphonists  encompassing a wide range of moods from the utterly tranquil to ranging fury, mysterious to exuberant. He was strongly influenced by Tudor and folk music.  He was deeply affected by the First World War in which he served. His body of work is vast and his music remains popular and widely performed.

Semi-profile of European man in early middle age, clean-shaven, with full head of dark hair
Vaughan  Williams - Wikipedia,

Sunday, 18 January 2026

Sunday 18th January 2026 Epiphany 2

The Lamb      Music John Tavener (1944 - 2013), Words William Blake (1757-1827)

Tavener was born in Wembley, London.  He was a music scholar at Highgate School, where a fellow scholar was John Rutter. The school choir was often used by the BBC when they needed a boys' choir. He began to compose whilst at school and was also a pianist good enough to perform with the National Youth Orchestra. In 1961 he was organist and choirmaster at St John's Presbyterian church, Kensington, a post he held for 13 years. He went to the Royal Academy of Music in 1962 where he decided to concentrate on composition and gave up the piano.

He came to prominence with his Cantata "The Whale" in 1968. In 1971 he began teaching at Trinity College of Music in London. In 1977 he converted to Russian Orthodox Church.  Orthodox liturgy became a major influence on his composition.  

"The Lamb" written in 1982 for his nephew's third birthday has become a choral classic.  It was composed in a single afternoon for unaccompanied SATB choir, using William Blake's poem.

He was knighted in 2000 for his services to music. John Rutter describes Tavener as having the "very rare gift" of being able to "bring an audience to a deep silence."

William Blake was largely unrecognised during his life, he is now considered to be one of the seminal figures of poetry and art in the Romantic age. He was born in Soho and although his family were English Dissenters, he was baptised.  The Bible  was a profound influence on his work. In 1772 Blake was apprenticed to James Basire, an engraver, for 7 years. At the end of his term aged 21, he became a profession engraver.  He had been taught an outmoded style and it is thought that this tuition held him back from greatness during his lifetime. 

In 1779, Blake began as a student at the Royal Academy where he was somewhat rebellious against Joshua Reynolds.

In 1800, Blake moved to Felpham, illustrating poetry by William Hayley.  He was unhappy in his work and returned to London after 3 years.
https://upload.wikimedia.org/wikipedia/commons/thumb/0/00/William_Blake_by_Thomas_Phillips.jpg/330px-William_Blake_by_Thomas_Phillips.jpg
William Blake
Wikipedia

Saturday, 17 January 2026

Sunday 11th January The Baptism of the Lord

 Ave Verum Corpus Mozart


Ave Verum Corpus (Hail, true body) is a setting of the Latin Hymn, in D major.  It was written for Anton Stoll, a friend and church musician of St Stephen, Baden.

It was composed in 1791 whilst visiting his wife Constanze who was pregnant with their 6th child and staying at the spa Baden bei Wien.  It was composed for the feast of Corpus Christi.  Mozart's manuscript has only "Sotto voce" marked at the beginning with no other markings.

Wolfgang Amadeus Mozart (1756 - 1791)

Mozart was a child prodigy competent on keyboard and violin.  He began composing at the age of five. He performed around Europe for royalty.  At the age of 17 he was engaged as a musician at the Salzburg court but was restless and travelled looking for a better position.  Whilst visiting Vienna he was dismissed from his position in Salzburg.  He remained in Vienna, where he gained fame but no financial security.

He composed more than 600 works, many acknowledged as the finest in symphonies, concertante, operatic, chamber and choral music.  He remains one of the best loved classical composers, whose work influenced many composers.  Joseph Haydn said of Mozart "Posterity will not see such a talent again in 100 years."

W A Mozart from Wikipedia

Sunday, 4 January 2026

Sunday 4th January 2026 EPIPHANY

 In The Bleak Midwinter  Christina Rossetti  Harold Darke


"In the Bleak Midwinter" is a poem by the English poet Christina Rossetti, commonly performed as a Christmas carol. The poem was published, under the title "A Christmas Carol", in the January 1872 issue of Scribner's Monthly, and was first collected in book form in Goblin Market, The Prince's Progress and Other Poems (Macmillan, 1875).

Christina Georgina Rossetti (5 December 1830 – 29 December 1894) was an English poet who wrote romantic, devotional, and children's poems. "Goblin Market" and "Remember" remain famous. She also wrote the words of two Christmas carols well known in the UK: "In the Bleak Midwinter", later set by Gustav Holst and by Harold Darke, and "Love Came Down at Christmas", also set by Darke and by other composers. She was a sister of the artist and poet Dante Gabriel Rossetti and features in several of his paintings.

Harold Edwin Darke (29 October 1888 – 28 November 1976) was an English composer and organist. He is particularly known for his choral compositions, which are an established part of the repertoire of Anglican church music. Darke had a long association with the church of St Michael, Cornhill, in the City of London.

His first organist post was at Emmanuel Church, West Hampstead from 1906 to 1911. He became organist at St Michael Cornhill in 1916, and stayed there until 1966, leaving only briefly in 1941 to deputise for Boris Ord as Director of Music at King's College, Cambridge during World War II. It is widely accepted that the Cornhill Lunchtime Organ Recitals series begun by Darke in 1916 is the longest-running lunchtime organ concert series in the world; the series has flourished under his successors Richard Popplewell 1966–1979 and the present Organist, Jonathan Rennert, from 1979 to the present. Darke died in Cambridge, aged 88.

Darke's work as Conductor of St Michael's Singers was crowned in 1956 on the occasion of the Choir's 40th Anniversary with the first performance of a number of now well-established works composed especially for the occasion – notably "Jerusalem" by George Dyson and "A Vision of Aeroplanes" by Ralph Vaughan Williams.
Taken from Wikipedia