Welcome to the Saint Mary choir blog.

The church has both an adult and junior choir. We are affiliated to the Royal School of Church Music(RSCM). The junior choir are provided with tuition to enable them to gain their RSCM medals.

The senior choir is a SATB choir with its main responsibility to sing at the 10am Sunday service, including an anthem. See below for more details.

Our choirs do not require any fees to belong to them. New members to both the senior and junior choir are always welcome, whatever their standard. If you are interested in joining us please contact our Director of Music (Joanna) via the  Contact Us page.

Sunday, 17 September 2023

Sunday 10th September 2023 St Mary our Lady Patronal Festival

 Ave Maria  Opus 67, No 2   Gabriel Fauré


This is a setting of "Hail Mary, full of grace" by Gabriel Fauré. It is written for boys or female voices with organ or piano. It is sung in unison, with a lot of dynamic change to emphasise the words, but mostly piano or softly. It is also sung at a gentle pace reflecting that this piece is a musical prayer.

Gabriel Urbain Fauré 12 May 1845 – 4 November 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his Pavane, Requiem, Sicilienne, nocturnes for piano and the songs "Après un rêve" and "Clair de lune". Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmonically and melodically complex style.

Fauré was born into a cultured but not especially musical family. His talent became clear when he was a small boy. At the age of nine, he was sent to the Ecole Niedermeyer music college in Paris, where he was trained to be a church organist and choirmaster. Among his teachers was Camille Saint-Saëns, who became a lifelong friend. After graduating from the college in 1865, Fauré earned a modest living as an organist and teacher, leaving him little time for composition. When he became successful in his middle age, holding the important posts of organist of the Église de la Madeleine and director of the Paris Conservatoire, he still lacked time for composing; he retreated to the countryside in the summer holidays to concentrate on composition. By his last years, Fauré was recognised in France as the leading French composer of his day. An unprecedented national musical tribute was held for him in Paris in 1922, headed by the president of the French Republic. Outside France, Fauré's music took decades to become widely accepted, except in Britain, where he had many admirers during his lifetime.

Fauré's music has been described as linking the end of Romanticism with the modernism of the second quarter of the 20th century. When he was born, Chopin was still composing, and by the time of Fauré's death, jazz and the atonal music of the Second Viennese School were being heard. The Grove Dictionary of Music and Musicians, which describes him as the most advanced composer of his generation in France, notes that his harmonic and melodic innovations influenced the teaching of harmony for later generations. During the last twenty years of his life, he suffered from increasing deafness. In contrast with the charm of his earlier music, his works from this period are sometimes elusive and withdrawn in character, and at other times turbulent and impassioned.

Taken from Wikipedia

Sunday, 3 September 2023

Sunday 3rd September 2023 Trinity 13

Welcome back to the choir who return after their summer break. The senior choir was joined by the junior choir as it is the family service today.

Ave Verum Corpus W A Mozart (K618)


Ave Verum Corpus (Hail, true body) is a setting of the Latin Hymn, in D major.  It was written for Anton Stoll, a friend and church musician of St Stephen, Baden.

It was composed in 1791 whilst visiting his wife Constanze who was pregnant with their 6th child and staying at the spa Baden bei Wien.  It was composed for the feast of Corpus Christi.  Mozart's manuscript has only "Sotto voce" marked at the beginning with no other markings.

Wolfgang Amadeus Mozart (1756 - 1791)

Mozart was a child prodigy competent on keyboard and violin.  He began composing at the age of five. He performed around Europe for royalty.  At the age of 17 he was engaged as a musician at the Salzburg court but was restless and travelled looking for a better position.  Whilst visiting Vienna he was dismissed from his position in Salzburg.  He remained in Vienna, where he gained fame but no financial security.

He composed more than 600 works, many acknowledged as the finest in symphonies, concertante, operatic, chamber and choral music.  He remains one of the best loved classical composers, whose work influenced many composers.  Joseph Haydn said of Mozart "Posterity will not see such a talent again in 100 years."

W A Mozart from Wikipedia


Monday, 17 July 2023

Sunday 16th July 2023 Trinity 6

 Benedictus in B flat    C V Stanford


This is the Canticle of Zechariah, father of John the Baptist,  and is taken from Luke's Gospel (Luke 1:68-79) It is sung daily at Morning Prayer.

Sir Charles Villiers Stanford (1852-1924) thought to be one of our great British composers was actually Irish, born in Dublin, although educated at The University of Cambridge and then studied music in Leipzig and Berlin.

Whilst an undergraduate, he was appointed organist of Trinity College, Cambridge and was one of the founding professors of the Royal College of Music, where he taught composition for the rest of his life.  He was also Professor of Music at Cambridge.  His pupils included Gustav Holst and Ralph Vaughan Williams whose fame went on to surpass his own.

He is best remembered for his sacred choral compositions for church performance in the Anglican tradition. Along with Hubert Parry and Alexander Mackenzie, he was thought responsible for the renaissance of music in the British Isles.

head and shoulders shot of an elderly man with full head of hair, moustache and pince-nez
C V Stanford in 1921 from Wikipedia



 "Thou Visitest The Earth" from "Thou O God Art Praised in Sion" Dr Maurice Greene (1696 - 1755)

"Thou Visitest The Earth" is a setting of Psalm 65 for solo tenor or baritone and SATB chorus.  In our case today, the solo was taken by one of our altos.  It is commonly used as a Harvest anthem speaking of God's blessings on the earth.

Maurice Green was born in London, his father, Thomas Greene, was chaplain of the Chapel Royal and canon of Salisbury. Young Maurice began his studies under Jeremiah Clarke and Charles King at St Paul's Cathedral. In 1714 he gained his first musical post as organist at St Dunstan-in-the-West on Fleet Street. In 1717 he became organist at St Paul's Cathedral.

Greene was a founder member of the Castle Society, established in 1724. He also helped found the Academy of Ancient Music.

In 1730, Greene was admitted "Doctor in Musica" at Cambridge University and later was made a professor of music there.

In 1735, Greene was elected Master of the King's Music, the highest musical position in the land.

Originally a friend of Handel, Handel had a disagreement with another composer, Giovanni Bononcini, but when Greene continued his friendship with Bononcini, this upset Handel and a lifelong feud ensued.

Sunday, 9 July 2023

Sunday 9th July 2023 Trinity 5

O For A Closer Walk With God   C V Stanford

William Cowper is the author of this hymn, “O for a Closer Walk with God” which he composed in 1769. The inspiration for this hymn was Genesis 5:24, “And Enock walked with God: and he was not; for God took him.” Another was Amos 3:3, “Godliness is walking with God: which shows reconciliation to God, for can two walk together except they be agreed?”

This hymn was written during the serious illness of his beloved aunt, Mrs. Unwin.


William Cowper
Taken from christianmusicandhymns.com

O for a closer walk with God,
A calm and heavenly frame;
A light to shine upon the road
That leads me to the Lamb!

Return, O holy dove, return,
Sweet messenger of rest;
I hate the sins that made thee mourn,
And drove thee from my breast.

So shall my walk be close with God,
Calm and serene my frame;
So purer light shall mark the road
That leads me to the Lamb.


Sir Charles Villiers Stanford (1852-1924) thought to be one of our great British composers was actually Irish, born in Dublin, although educated at The University of Cambridge and then studied music in Leipzig and Berlin.


Whilst an undergraduate, he was appointed organist of Trinity College, Cambridge and was one of the founding professors of the Royal College of Music, where he taught composition for the rest of his life.  He was also Professor of Music at Cambridge.  His pupils included Gustav Holst and Ralph Vaughan Williams whose fame went on to surpass his own.


He is best remembered for his sacred choral compositions for church performance in the Anglican tradition. Along with Hubert Parry and Alexander Mackenzie, he was thought responsible for the renaissance of music in the British Isles.



Charles Villiers Stanford from Wikipedia

 

Sunday, 18 June 2023

Sunday 18th June 2023 Trinity 2

 Jubilate Deo in B flat from Morning, Communion and Evening Service in B flat Op.10  Charles Villiers Stanford

Taken from the Novello  Copy
Sir Charles Villiers Stanford has a perverse relationship with posterity.  Remembered today largely for his choral miniatures, this restless symphonist was the unwilling Janus of British music.  A significant presence on the European scene in his own lifetime, he was an outspoken critic of Wagner, Strauss and modernism in general. Nevertheless, as a formalist with flair and skill, his influence catalysed much of the great English music of the 20th century.  As fellow composer George Dyson said: "In a certain sense the very rebellion he fought was the most obvious fruit of his methods."

The Jubilate in B flat displays the composers trademark mastery of thematic structures.

Charles Villiers Stanford
C V Stanford from Wikipedia


A Prayer of St Richard of Chichester  L J White

This is a simple setting of a beautiful old prayer from our local saint, St Richard. Although written for treble voices, today it was performed by the Sopranos and Altos, with the tenors and basses joining the altos when the sopranos sang the descant.

St Richard's Prayer

Thanks be to Thee, my Lord Jesus Christ
For all the benefits Thou hast given me,
For all the pains and insults Thou hast borne for me.
O most merciful Redeemer, friend and brother,
May I know Thee more clearly,
Love Thee more dearly,
Follow Thee more nearly.

Richard of Chichester (1197 – 3 April 1253), also known as Richard de Wych, is a saint (canonized 1262) who was Bishop of Chichester.

In Chichester Cathedral a shrine dedicated to Richard had become a richly decorated centre of pilgrimage. In 1538, during the reign of Henry VIII, the shrine was plundered and destroyed by order of Thomas Cromwell. Richard of Chichester is the patron saint of Sussex in southern England; since 2007, his translated saint's day of 16 June has been celebrated as Sussex Day.


Icon of St Richard in Chichester Cathedral
Taken from Wikipedia

L J White.

Len White was for many years Deputy Head of St Andrew’s School. He lived with his sister, within walking distance of the church, which had a fine musical tradition, and was Choirmaster until his death in the 1970’s. He had music published, including two masses and settings of A E Housman’s ‘A Shropshire Lad’. Among his unpublished music is a wonderful setting of the ICEL texts of the Mass, written in the last years of his life. It is amazing to me that it never became more widely known, for it is much better than the stuff which became the staple musical diet for forty years. White’s setting is full of good tunes, singable by the people, and with a great organ accompaniment. 

Len White brought  a freshness and lightness – and an Englishness – to the music at Willesden Green, which is in contrast to the earlier choir books with their heavy adaptations of Gounod and Mozart to Cranmer’s words!

Scott Anderson

Sunday, 11 June 2023

Sunday 11th June 2023 Corpus Christi

Ave Verum  Charles Gounod (1818-1893)


"Ave verum corpus" is a short Eucharistic chant that has been set to music by many composers. It dates to the 13th century, first recorded in a central Italian Franciscan manuscript (Chicago, Newberry Library, 24). A Reichenau manuscript of the 14th century attributes it to Pope Innocent (variously identified as Innocent III, Innocent IV, Innocent V, or Innocent VI)

During the Middle Ages it was sung at the elevation of the Eucharist during the consecration at Mass. It was also used frequently during Benediction of the Blessed Sacrament.

Latin
Ave verum corpus, natum
de Maria Virgine,
vere passum, immolatum
in cruce pro homine
cuius latus perforatum
fluxit aqua et sanguine:
esto nobis prægustatum
in mortis examine.

O Iesu dulcis, O Iesu pie,
O Iesu, fili Mariae.
Miserere mei. Amen.

 
Hail, true Body, born
of the Virgin Mary,
having truly suffered, sacrificed
on the cross for mankind,
from whose pierced side
water and blood flowed:
Be for us a foretaste [of the Heavenly banquet]
in the trial of death!

O sweet Jesus, O holy Jesus,
O Jesus, son of Mary,
have mercy on me. Amen.

Taken from Wikipedia

The prayer is a meditation on Jesus's Real Presence in the Blessed Sacrament, and ties it to the redemptive meaning of suffering in the life of all believers.

Gounod was born in Paris,  his father an artist and his mother a pianist and also his first piano teacher.  He showed an early aptitude for music.  He studied at the Paris Conservatoire and won the Prix de Rome in 1839 for his Cantata Fernand.  He contemplated taking holy orders but went back to composition before taking his vows.  In 1854 he competed a Messe Solennelle also know as St Cecilia Mass.
The sister of Felix Mendelssohn, Fanny, introduced Gounod to the works of JS Bach, in particcular he admired The Well-Tempered Clavier  and it inspired him to write a melody to the Prelude in C major, later adding the words "Ave Maria" and it became a success. in 1859 he wrote Faust for which he is best remembered.
Between 1870 and 1874, Gounod lived in London, becoming conductor the Royal Choral Society. Much of his music at this time was choral.
As he grew older his music became more sacred. He was made a Grand Officer of the Légion d'honneur in 1888 and died of a stroke in 1893.

Taken from Wikipedia

Sunday, 4 June 2023

Sunday 4th June 2023 Trinity Sunday

 John Stainer “God so loved the world” from “The Crucifixion”


“The Crucifixion: A Mediation on the Sacred Passion of the Holy Redeemer” was composed in 1887 and first performed on 24th February of that year. It was dedicated to his friend and pupil W Hodge and the choir of Marylebone Church.  It is a sacred oratorio for tenor and bass soli, SATB choir and organ. W J Sparrow Simpson wrote the libretto.  The work has been dismissed in the past, even Stainer himself calling it “rubbish” but it is continued to be a staple of church music since its first performance, especially around Easter. “God so loved the world” is one of the choral pieces, but the text can be used at any time in the church calendar, as it is reflecting part of the Eucharist.

Sir John Stainer (1840 – 1901) was an English composer and organist.  He was very popular during his life, but now little of his music is performed other than “The Crucifixion”. He was the Heather Professor of Music at Oxford, and his training of choristers and organists set standard that remain influential today.

He was born in Southwark, London, son of a cabinetmaker.  He was a chorister at St Paul’s Cathedral at the age of ten. At sixteen he was appointed organist at St Michael’s College, Tenbury.  He was later organist at Magdalen College, Oxford and the St Paul’s Cathedral. Whilst at Magdalen he was allowed to study as long as it did not interfere with his duties as organist.  He chose to do so and in 1864 gained his BA with his MA coming 2 years later. Due to poor eyesight he had to retire from St Paul’s whist in his forties and returned to Oxford to take up his chair. Queen Victoria honoured him with his knighthood in 1888 for his services to British music, the same year he retired from St Paul’s. He died unexpectedly whilst holidaying in Italy.

picture from Wikipedia