Sunday 1st September 2024 Evensong

Magnificat and Nunc Dimittis   Stanford in C

 Taken from Wikipedia.

The Magnificat (Latin for "[My soul] magnifies [the Lord]") is a canticle, also known as the Song of Mary, the Canticle of Mary and, in the Byzantine tradition, the Ode of the Theotokos . It is traditionally incorporated into the liturgical services of the Catholic Church (at vespers) and of the Eastern Orthodox churches (at the morning services). It is one of the eight most ancient Christian hymns and perhaps the earliest Marian hymn. Its name comes from the incipit of the Latin version of the canticle's text.

The text of the canticle is taken directly from the Gospel of Luke (1:46–55) where it is spoken by Mary upon the occasion of her Visitation to her cousin Elizabeth. In the narrative, after Mary greets Elizabeth, who is pregnant with John the Baptist, the latter moves within Elizabeth's womb. Elizabeth praises Mary for her faith (using words partially reflected in the Hail Mary), and Mary responds with what is now known as the Magnificat.

Within the whole of Christianity, the Magnificat is most frequently recited within the Liturgy of the Hours. In Western Christianity, the Magnificat is most often sung or recited during the main evening prayer service: Vespers in the Catholic and Lutheran churches, and Evening Prayer (or Evensong) in Anglicanism. In Eastern Christianity, the Magnificat is usually sung at Sunday Matins. Among Protestant groups, the Magnificat may also be sung during worship services, especially in the Advent season during which these verses are traditionally read.

The Nunc dimittis, also known as the Song of Simeon or the Canticle of Simeon, is a canticle taken from the second chapter of the Gospel of Luke, verses 29 through 32. Its Latin name comes from its incipit, the opening words, of the Vulgate translation of the passage, meaning "Now let depart". Since the 4th century it has been used in services of evening worship such as Compline, Vespers, and Evensong.

The title is formed from the opening words in the Latin Vulgate, “Nunc dimittis servum tuum, Domine" ("Now thou dost dismiss thy servant, O Lord"). Although brief, the canticle abounds in Old Testament allusions. For example, "Because my eyes have seen thy salvation" alludes to Isaiah 52:10.

According to the narrative in Luke 2:25-32, Simeon was a devout Jew who had been promised by the Holy Spirit that he would not die until he had seen the Messiah. When Mary and Joseph brought the baby Jesus to the Temple in Jerusalem for the ceremony of redemption of the firstborn son (after the time of Mary's purification: at least 40 days after the birth, and thus distinct from the circumcision), Simeon was there, and he took Jesus into his arms and uttered words rendered variously as follows:

Lord, now lettest thou thy servant depart in peace :

according to thy word.

For mine eyes have seen :

thy salvation;

Which thou hast prepared :

before the face of all people;

To be a light to lighten the Gentiles :

and to be the glory of thy people Israel.

Teach me, O Lord, the way of thy statutes  Thomas Attwood

Thomas Attwood was an English composer and organist.  Attwood was born in London, the son of a musician in the royal band. He became a chorister in the Chapel Royal by the age of nine.  He was sent abroad to study at the expense of the Prince of Wales (later George IV) who was impressed by his skill at the harpsichord.  He was a favourite pupil of Mozart. He returned to London in 1787.

In 1796 he was made organist of St Paul's and the same year composer of the Chapel Royal.  For George IV's coronation he wrote the anthem "I was glad".

Much of his work is forgotten, only a few anthems regularly performed including "Turn thy face from my sins". See 30th October 2017.

Today we sang "Teach Me O Lord " which is Psalm 119 v33.

Thomas Atwood from Wikipedia

Sunday 1st September 2024 Trinity 14

God Be In My Head  John Rutter

God be in my head is one of the earliest English prayers found in the Sarum Primer of 1514. It is a prayer for God's guidance. John Rutter has written a beautiful setting to these profound yet simple words.

God be in my head,

And in my understanding;

God be in mine eyes,

And in my looking;

God be in my mouth,

And in my speaking;

God be in my heart,

And in my thinking;

God be at mine end,

And at my departing.

John Rutter was born in London in 1945 and had his first musical training at Highgate School as a chorister. He studied music at Clare College, Cambridge where he wrote his first published music and had his first recording whilst still an undergraduate.

John Rutter [Wikimedia Commons]

His compositions cover a wide variety of musical genres but he is well know by all choirs who must have some

Rutter in their repertoire. He formed the Cambridge Singers and spends his time composing and conducting.

He was awarded a CBE for services to music in the 2007 Queen's New Year Honours List.

Sunday 4th August 2024 Evensong

The choir is officially on holiday during August, but we sang for Evensong this evening with the welcome addition of friends helping out.

The Magnificat and Nunc Dimitis in B flat  C V Stanford

Taken from Wikipedia.

The Magnificat (Latin for "[My soul] magnifies [the Lord]") is a canticle, also known as the Song of Mary, the Canticle of Mary and, in the Byzantine tradition, the Ode of the Theotokos . It is traditionally incorporated into the liturgical services of the Catholic Church (at vespers) and of the Eastern Orthodox churches (at the morning services). It is one of the eight most ancient Christian hymns and perhaps the earliest Marian hymn. Its name comes from the incipit of the Latin version of the canticle's text.

The text of the canticle is taken directly from the Gospel of Luke (1:46–55) where it is spoken by Mary upon the occasion of her Visitation to her cousin Elizabeth. In the narrative, after Mary greets Elizabeth, who is pregnant with John the Baptist, the latter moves within Elizabeth's womb. Elizabeth praises Mary for her faith (using words partially reflected in the Hail Mary), and Mary responds with what is now known as the Magnificat.

Within the whole of Christianity, the Magnificat is most frequently recited within the Liturgy of the Hours. In Western Christianity, the Magnificat is most often sung or recited during the main evening prayer service: Vespers in the Catholic and Lutheran churches, and Evening Prayer (or Evensong) in Anglicanism. In Eastern Christianity, the Magnificat is usually sung at Sunday Matins. Among Protestant groups, the Magnificat may also be sung during worship services, especially in the Advent season during which these verses are traditionally read.

The Nunc dimittis, also known as the Song of Simeon or the Canticle of Simeon, is a canticle taken from the second chapter of the Gospel of Luke, verses 29 through 32. Its Latin name comes from its incipit, the opening words, of the Vulgate translation of the passage, meaning "Now let depart". Since the 4th century it has been used in services of evening worship such as Compline, Vespers, and Evensong.

The title is formed from the opening words in the Latin Vulgate, “Nunc dimittis servum tuum, Domine" ("Now thou dost dismiss thy servant, O Lord"). Although brief, the canticle abounds in Old Testament allusions. For example, "Because my eyes have seen thy salvation" alludes to Isaiah 52:10.

According to the narrative in Luke 2:25-32, Simeon was a devout Jew who had been promised by the Holy Spirit that he would not die until he had seen the Messiah. When Mary and Joseph brought the baby Jesus to the Temple in Jerusalem for the ceremony of redemption of the firstborn son (after the time of Mary's purification: at least 40 days after the birth, and thus distinct from the circumcision), Simeon was there, and he took Jesus into his arms and uttered words rendered variously as follows:

Lord, now lettest thou thy servant depart in peace :

according to thy word.

For mine eyes have seen :

thy salvation;

Which thou hast prepared :

before the face of all people;

To be a light to lighten the Gentiles :

and to be the glory of thy people Israel.

Jesu, Joy of Man's Desiring   J S Bach

This is the common title of the 10th and last movement of the cantata “Herz und Mund und Tat und Leben” (BVW 147) composed in 1716 and 1723.  It is commonly played at weddings and Christian festive seasons of Easter and Christmas.  Much of the music of this cantata comes from Bach’s Weimar period (the 1716 parts) finished in 1723 in Leipzig.

Johann Sebastian Bach (1685 – 1750) was a German composer and musician of the Baroque period. He was a highly respected organist in his lifetime, although not recognised as a composer of magnitude (possibly one of the greatest) until a revival of his works in the first half of the 19th century. He showed considerable skill in counterpoint and harmony. He was able to adapt rhythm, form and texture from abroad. He was a prolific composer of church music due to the demand for huge numbers of cantatas over the Christian year.  It is thought her wrote over 300 with only around 200 surviving. He also wrote many other works sacred and secular.  It is now agreed that his music has technical command, intellectual depth and artistic beauty.

Sunday 28th July 2024 Trinity 9

 Ave Verum Corpus    Edward Elgar

Ave verum corpus  is traditionally a communion hymn written by Pope Innocent VI, set to music by many composers over the years.

Edward Elgar (1857-1937) was born in a village close to Worcester.  His father had a music shop in Worcester and tuned pianos. Elgar was mostly self taught.  His influence grew in the 1880's and 1890's  despite his being a Roman Catholic in a largely Anglican community. In 1889 he married one of his pupils, Caroline Alice Roberts, against opposition from her family. She played a major part in his career development.

Elgar is one of the great English composers, who has left a legacy of great orchestral and choral works.

from Wikipedia

Sunday 21st July 2024 Trinity 8

Benedictus in B flat    C V Stanford

This is the Canticle of Zechariah, father of John the Baptist,  and is taken from Luke's Gospel (Luke 1:68-79) It is sung daily at Morning Prayer.

Sir Charles Villiers Stanford (1852-1924) thought to be one of our great British composers was actually Irish, born in Dublin, although educated at The University of Cambridge and then studied music in Leipzig and Berlin.

Whilst an undergraduate, he was appointed organist of Trinity College, Cambridge and was one of the founding professors of the Royal College of Music, where he taught composition for the rest of his life.  He was also Professor of Music at Cambridge.  His pupils included Gustav Holst and Ralph Vaughan Williams whose fame went on to surpass his own.

He is best remembered for his sacred choral compositions for church performance in the Anglican tradition. Along with Hubert Parry and Alexander Mackenzie, he was thought responsible for the renaissance of music in the British Isles.

C V Stanford in 1921 from Wikipedia

Fairest Lord Jesus  German 17th Century, translated by Lilian Sinclair Stevenson (1870-1960)

Silesian folk song (1842) arranged by Martin How.

The music is a folk song from Silesia, a culturally rich area of Europe from the 1st century, now forming part of modern day Germany, Poland and the Czech Republic.  The words are a 17th century German hymn adapted by British organist, composer and choir master Martin How.

Some think this was originally The Crusader's Hymn, sung by German crusaders as they made their way to the Holy Land.

Franz Liszt used the tune in his oratorio The Legend of St Elizabeth as a crusader's march and so the tune became known as St Elizabeth.

Martin How (1931- ) was born in Liverpool, moving to Brighton and then Glasgow just before the start of WWII.  He spent most of his childhood in Glasgow. He was awarded an organ scholarship at Clare College, Cambridge, reading Music and Theology.

He spent most of his career with the Royal School of Church Music, principally as a choir trainer, motivating and training young singers. He initiated and developed the RSCM Chorister Training Scheme used in various forms around the world.

He was appointed MBE for Services to Church Music in the 1993 New Year Honours List .

taken from Wikipedia

Sunday 14th July 2024 Trinity 7 Sea Sunday

  Crossing The Bar  Sir H Parry   Alfred Lord Tennyson

The Anthem was the famous poem by Alfred Lord Tennyson, put to music by H Parry.

Sunset and evening star,
And one clear call for me!
And may there be no moaning of the bar,
When I put out to sea,

But such a tide as moving seems asleep,
Too full for sound and foam,
When that which drew from out the boundless deep
Turns again home.

Twilight and evening bell,
And after that the dark!
And may there be no sadness of farewell,
When I embark;

For tho' from out our bourne of Time and Place
The flood may bear me far,
I hope to see my Pilot face to face
When I have crost the bar.

Alfred Lord Tennyson (1809-1892) was a British poet, and for much of Queen Victoria's reign was Poet Laureate

Alfred Lord Tennyson, from Wikipedia

C H H Parry was born in Bournemouth in 1848 into a rich family and was educated at Eton where he also gained his music degree.  He went to study further at Oxford.  His music influenced other great English composers such as Elgar and Vaughan Williams.  He wrote his best music in his later years and this include his Songs of Farewell.  He died in Rustington in 1918, just before the end of the Great War.

Sir Parry from Wikipedia

Sunday 7th July 2024 Trinity 6

  "Lead me Lord" from "Praise the Lord, O my soul" by Samuel Sebastian Wesley

"Praise the Lord, O my Soul" was written in 1861 and contains the short anthem "Lead me Lord". It was composed when Wesley was organist at Winchester College and Cathedral. "Lead me Lord " is the final section of the work, and has a wondrous simplicity with 2 short solo parts which lend themselves beautifully for young choristers starting on solo work.

Samuel Sebastian Wesley (1810 - 1876) was the illegitimate son of Samuel Wesley and Sarah Souter, and grandchild of Charles Wesley. He was a choirboy in the Chapel Royal and then embarked on a musical career.  He was appointed organist at Hereford Cathedral in 1832 and then married the Dean's sister.  He moved to Exeter Cathedral in 1835 and 1842, Leeds Parish Church, 1849 - Winchester Cathedral, 1865 - Gloucester Cathedral.  In 1839 he achieved his Bachelor of Music and Doctorate of Music from Oxford.  He became Professor of Organ in the Royal Academy of Music in 1850.

His work was almost exclusively for the Anglican church.  With Father Willis he is jointly credited with the invention of the concave and radiating pedal board for organ which has now become the standard internationally.

Samuel Wesley from Wikipedia