Welcome to the Saint Mary choir blog. We are a SATB (ie: four part harmony) choir. We sing at the 10:00am service most Sundays through out the year.We welcome new members to our choir. If you are interested in joining us please contact our Director of Music (Joanna) via the  Contact Us page.

There follows a description of some the music that we have sung.

Saturday 19 March 2022

Sunday 13th March 2022

 Hide not thou thy face    Farrant

Taken from Wikipedia

Richard Farrant (c. 1525 – 30 November 1580) was an English composer. Like many composers of his day, the early years of Farrant's life are not well documented. The first acknowledgement of him is in a list of the Gentleman of the Chapel Royal in 1552. It is assumed from that list that his birth was around 1525, although that cannot be accurately determined. During his life he was able to establish himself as a successful composer, develop the English drama considerably, founded the first Blackfriars Theatre, and be the first to write verse-anthems. He married Anne Bower, daughter of Richard Bower who was Master of the Chapel Royal choristers at the time. With Anne he conceived ten children, one of whom was also named Richard.

As a member of the Gentleman of the Chapel Royal, Farrant was active in ceremonies surrounding the royal family. He began his work with the Chapel Royal around 1550 under the reign of Edward VI. Fortunately, for Farrant, this is a time that saw huge developments in Latin Church Music. Composers like William Byrd and Christopher Tye were busy expanding and elaborating on the Church Music of the day. In Farrant's twelve years with the Chapel Royal, he was able to participate in funerals for Edward VI and Mary I, and coronations for Mary I and Elizabeth I. After his work there, he took up a post as organist at St. George's Chapel at Windsor.

For Farrant, the post at Windsor became a permanent one that he retained for the rest of his life. Along with this, he also acquired the position of Master of the Chapel Royal choristers in November 1569. Having the choirs of both of these institutions at his disposal gave him an outlet to showcase all of his compositions and plays. In fact, every winter he was able to produce a play for the Queen herself. These positions also allowed him to move back to London in 1576 and begin a public theatre of sorts where he rehearsed some of his choir music openly. It was soon after, in 1580, that he died, having left his house to his wife.

Unlike many composers of his day that stuck to only music composition, Farrant also wrote many plays. One of his most important contributions to drama in England is of course the creation of the first Blackfriars Theatre. This eventually became one of the most important places in London for drama to develop during the Renaissance. Farrant is also one of the earliest and most well known composers that began to mix the two mediums of music and drama. It was this uncommon mixture that allowed him to begin to develop the composition style of 'verse.' This becomes prominent in a lot of his pieces including the anthems When as we sat in Babylon, Call to remembrance and Hide not thou thy face.

"Hide not thou thy face" is taken from Psalm 27, verse 9.


Wednesday 2 March 2022

Sunday 27th February 2022 Sunday before Lent

 Ave Verum Corpus  W A Mozart

See 9th January 2022

Sunday 20th February 2022 Second before Lent

 Benedictus in C   C V Stanford

The Benedictus was composed in 1909 as part of Stanford's Morning and Evening Service together with the Office of Holy Communion Op 115.  Stanford was given the choice to hear one of his services sung at Matins at York Minster in 1923 when he was a guest of the organist, Edward . "He chose the one in C", Bairstow recalled, "for he said he had never heard it!"

Sir Charles Villiers Stanford (1852-1924) thought to be one of our great British composers was actually Irish, born in Dublin, although educated at The University of Cambridge and then studied music in Leipzig and Berlin.

Whilst an undergraduate, he was appointed organist of Trinity College, Cambridge and was one of the founding professors of the Royal College of Music, where he taught composition for the rest of his life.  He was also Professor of Music at Cambridge.  His pupils included Gustav Holst and Ralph Vaughan Williams whose fame went on to surpass his own.

He is best remembered for his sacred choral compositions for church performance in the Anglican tradition. Along with Hubert Parry and Alexander Mackenzie, he was thought responsible for the renaissance of music in the British Isles.

Charles Villiers Stanford
C V Stanford from Wikipedia



The anthem was Ye Servants of th'all bouteous Lord (Laudate Peuri) by Samuel Webbe Junior.  

This is a setting of Psalm 113, which is in regular use in Jewish, Catholic, Anglican and Protestant liturgies. It has been set to music often. 

Samuel Webbe (1768-1843) was the son of self taught musician Samuel Webbe.  He studied organ, piano and vocal composition, with his father and Muzio Clementi.  Like his father he had an active iterest in Glee clubs and composed many canons and glees.

Monday 7 February 2022

Sunday 6th February 2022 The Seventieth Anniversary of the Queen's Accession

 Ave Verum Corpus    Edward Elgar

Ave verum corpus  is traditionally a communion hymn written by Pope Innocent VI, set to music by many composers over the years.

Edward Elgar (1857-1937) was born in a village close to Worcester.  His father had a music shop in Worcester and tuned pianos. Elgar was mostly self taught.  His influence grew in the 1880's and 1890's  despite his being a Roman Catholic in a largely Anglican community. In 1889 he married one of his pupils, Caroline Alice Roberts, against opposition from her family. She played a major part in his career development.

Elgar is one of the great English composers, who has left a legacy of great orchestral and choral works.

image of a middle aged man in late Victorian clothes, viewed in right semi-profile. He has a prominent Roman nose and large moustache
from Wikipedia

 

Friday 4 February 2022

Sunday 30th January 2022 The Presentation of Christ In The Temple Candlemass Christingle

 Nunc Dimittis in C     C V Stanford

The Nunc Dimittis, also called The Song Of Simeon, tells of the words of Simeon, who was promised by God that he would see the Messiah.  When Jesus was presented at the Temple and dedicated to God in the Jewish Tradition, being the first born son, Simeon recognised that Jesus was the Messiah.  The words are

Now, Lord, you let your servant go in peace:  your word has been fulfilled.My own eyes have seen the salvation  which you have prepared in the sight of every people;A light to reveal you to the nations and the glory of your people Israel.

Sir Charles Villiers Stanford (1852-1924) thought to be one of our great British composers was actually Irish, born in Dublin, although educated at The University of Cambridge and then studied music in Leipzig and Berlin.

Whilst an undergraduate, he was appointed organist of Trinity College, Cambridge and was one of the founding professors of the Royal College of Music, where he taught composition for the rest of his life.  He was also Professor of Music at Cambridge.  His pupils included Gustav Holst and Ralph Vaughan Williams whose fame went on to surpass his own.

He is best remembered for his sacred choral compositions for church performance in the Anglican tradition. Along with Hubert Parry and Alexander Mackenzie, he was thought responsible for the renaissance of music in the British Isles.

Charles Villiers Stanford
CV Stanford from Wikipedia


Sunday 23 January 2022

Sunday 23rd January 2022 Third Sunday of Epiphany

 Ave Verum  Charles Gounod (1818-1893)

"Ave verum corpus" is a short Eucharistic chant that has been set to music by many composers. It dates to the 13th century, first recorded in a central Italian Franciscan manuscript (Chicago, Newberry Library, 24). A Reichenau manuscript of the 14th century attributes it to Pope Innocent (variously identified as Innocent III, Innocent IV, Innocent V, or Innocent VI)

During the Middle Ages it was sung at the elevation of the Eucharist during the consecration at Mass. It was also used frequently during Benediction of the Blessed Sacrament.

Latin
Ave verum corpus, natum
de Maria Virgine,[a]
vere passum, immolatum
in cruce pro homine
cuius latus perforatum
fluxit aqua et sanguine:[b]
esto nobis prægustatum
in mortis examine.[c]

O Iesu dulcis, O Iesu pie,
O Iesu, fili Mariae.
Miserere mei. Amen.[d]

 
Hail, true Body, born
of the Virgin Mary,
having truly suffered, sacrificed
on the cross for mankind,
from whose pierced side
water and blood flowed:
Be for us a foretaste [of the Heavenly banquet]
in the trial of death!

O sweet Jesus, O holy Jesus,
O Jesus, son of Mary,
have mercy on me. Amen.

Taken from Wikipedia

The prayer is a meditation on Jesus's Real Presence in the Blessed Sacrament, and ties it to the redemptive meaning of suffering in the life of all believers.
Gounod was born in Paris,  his father an artist and his mother a pianist and also his first piano teacher.  He showed an early aptitude for music.  He studied at the Paris Conservatoire and won the Prix de Rome in 1839 for his Cantata Fernand.  He contemplated taking holy orders but went back to composition before taking his vows.  In 1854 he competed a Messe Solennelle also know as St Cecilia Mass.
The sister of Felix Mendelssohn, Fanny, introduced Gounod to the works of JS Bach, in particcular he admired The Well-Tempered Clavier  and it inspired him to write a melody to the Prelude in C major, later adding the words "Ave Maria" and it became a success. in 1859 he wrote Faust for which he is best remembered.
Between 1870 and 1874, Gounod lived in London, becoming conductor the Royal Choral Society. Much of his music at this time was choral.
As he grew older his music became more sacred. He was made a Grand Officer of the LĂ©gion d'honneur in 1888 and died of a stroke in 1893.

Taken from Wikipedia


Sunday 9 January 2022

Sunday 9th January 2022 The Baptism of Christ

Ave Verum Corpus W A Mozart (K618)

Ave Verum Corpus (Hail, true body) is a setting of the Latin Hymn, in D major.  It was written for Anton Stoll, a friend and church musician of St Stephen, Baden.

It was composed in 1791 whilst visiting his wife Constanze who was pregnant with their 6th child and staying at the spa Baden bei Wien.  It was composed for the feast of Corpus Christi.  Mozart's manuscript has only "Sotto voce" marked at the beginning with no other markings.

Wolfgang Amadeus Mozart (1756 - 1791)

Mozart was a child prodigy competent on keyboard and violin.  He began composing at the age of five. He performed around Europe for royalty.  At the age of 17 he was engaged as a musician at the Salzburg court but was restless and travelled looking for a better position.  Whilst visiting Vienna he was dismissed from his position in Salzburg.  He remained in Vienna, where he gained fame but no financial security.

He composed more than 600 works, many acknowledged as the finest in symphonies, concertante, operatic, chamber and choral music.  He remains one of the best loved classical composers, whose work influenced many composers.  Joseph Haydn said of Mozart "Posterity will not see such a talent again in 100 years."

W A Mozart from Wikipedia


Today we had a guest pianist, Sylvia Rota.  Thank you very much to Slvia for her playing today.