Welcome to the Saint Mary choir blog. We are a SATB (ie: four part harmony) choir. We sing at the 10:00am service most Sundays through out the year.We welcome new members to our choir. If you are interested in joining us please contact our Director of Music (Joanna) via the  Contact Us page.

There follows a description of some the music that we have sung.

Sunday 23 October 2022

Sunday 23th October 2022 Trinity 19

Lord For Thy Tender Mercy's Sake  Music could be by either Farrant or John Hilton.  Arrangement by Anthony Green. Words from J Bull, Christian Prayers and Holy Meditation (1568)


Henry Bull died in 1577.  He was an eminent theological writer.  In 1553 when Mary I came to the throne, he with the help of a conspirator snatched a censer from the hand of an officiating priest and was expelled from Magdalen. He was quiet during the rest of her reign, but came back to prominence on the ascension of Elizabeth I. He was also the editor of Christian Praiers and Holy Meditacions which appeared first by 1570, from which the text of our anthem today was taken.

Sunday 16 October 2022

Sunday 16th October 2022 Trinity 18

O Lord, Increase Our Faith  H. Loosemore

Henry Loosemore was born in Devon.  He was a chorister and afterwards a lay clerk in one of the Cambridge colleges. At some time he was organist at King's College. In 1660 he became organist at Exeter Cathedral.  He died suddenly in 1670 whilst in Exeter. 

O Lord Increase Our Faith has incorrectly been attributed to Orlando Gibbons in the past, and in Gibbon's version, has the word "our" replaced by "my".  However a manuscript was found of Loosemore's which allowed the correct attribution and also the correction of the text.

 

Sunday 9 October 2022

Sunday 9th October 2022 Trinity 17

Litany To The Holy Spirit   Peter Hurford

An anthem written for unison voices.

In the hour of my distress,
When temptations me oppress,
And when I my sins confess, 
Sweet Spirit, comfort me!

When I lie within my bed,
Sick in heart and sick in head,
And with doubts discomfited,
Sweet Spirit, comfort me!

When the house doth sigh and weep,
And the world is drowned with sleep,
Yet mine eyes the watch do keep, 
Sweet Spirit, comfort me!

Peter Hurford was born in Minehead, Somerset, to Gladys Hurford (née James) and Hubert Hurford, a solicitor. He was educated at Blundell's School in Tiverton, Devon. He later studied both music and law at Jesus College, Cambridge, graduating with dual degrees, and afterwards obtained a reputation for both musical scholarship and organ playing. Hurford subsequently studied in Paris under the French organist André Marchal, exploring music of the Baroque period.

He made interpretations of Bach, and recorded the complete Bach organ works for Decca and BBC Radio 3. His expertise also encompassed recordings of the Romantic literature for organ, performances notable for attention to stylistic detail. His playing style is noted for clean articulation, beauty of expression, and a sense of proper tempo.

Hurford was appointed organist of Holy Trinity Church, Leamington Spa from 1956 to 1957. For the same period, he was Music Master at Bablake School, Coventry, and Musical Director of the Royal Leamington Spa Bach Choir. He was then appointed organist and choirmaster of St Albans Cathedral in 1958, serving in this post for twenty years. He conceived the idea of an organ competition in 1963, partly to celebrate the new Harrison & Harrison organ designed by Ralph Downes and himself. This venture was successful mainly because of the young Hurford's rapidly growing stature in Britain and overseas as a result of his refreshing notions of the "authentic performance style". This has grown into the biennial St Albans International Organ Festival, a world-renowned festival of organ music with competitions whose past winners include many of the great names in modern organ music including Dame Gillian Weir, David Sanger, Thomas Trotter and Kevin Bowyer.

Hurford travelled extensively for both his performance and recording career. He was artist in residence at Cincinnati, Ohio University (1967–68), Toronto, Canada (1977), and consultant for the Sydney Opera House organ. He held a number of Honorary Doctorates, was appointed an Honorary Fellow of Jesus College, Cambridge in 2006, was a past President of the Royal College of Organists and received its Medal in 2013, and has been appointed an Officer of the Order of the British Empire (OBE). He wrote a book: Making Music on the Organ (1998, Oxford University Press, ISBN 0-19-816207-3) and published a great deal of choral music for the Anglican liturgy, much of it issued by leading publishers such as Novello and Oxford University Press. His Litany to the Holy Spirit, to a famous text by Robert Herrick, is sung worldwide.

Hurford suffered a minor stroke in 1997, but recovered enough to resume his performing career seven months later. In 2008, he was diagnosed with Alzheimer's Disease, and subsequently retired formally from performing in 2009.


Taken from his obituary notice in The Guardian.


Hurford died on 3 March 2019, aged 88.

Litany to the Holy Spirit was written in 1958, set to a text by Robert Herrick (1591-1674) 

Born in Cheapside, London, Robert Herrick was the seventh child and fourth son of Julia Stone and Nicholas Herrick, a prosperous goldsmith. He was named after an uncle, Robert Herrick (or Heyrick), a prosperous Member of Parliament (MP) for Leicester, who had bought the land Greyfriars Abbey stood on after Henry VIII's dissolution in the mid-16th century. Nicholas Herrick died in a fall from a fourth-floor window in November 1592, when Robert was a year old (whether this was suicide remains unclear).

The tradition that Herrick received his education at Westminster is based on the words "beloved Westminster" in his poem "Tears to Thamesis", but the allusion is to the city, not the school. It is more likely that he, like his uncle's children, attended The Merchant Taylors' School. In 1607 he became apprenticed to his other uncle, Sir William Herrick, a goldsmith and jeweller to the king. The apprenticeship ended after only six years, when Herrick, aged 22, gained admission at St John's College, Cambridge. He later migrated to Trinity Hall, graduating in 1617. Herrick became a member of the Sons of Ben, a group centred on an admiration for the works of Ben Jonson, to whom he wrote at least five poems. Herrick was ordained into the Church of England in 1623 and in 1629 became the vicar of Dean Prior in Devonshire.

In 1647, in the wake of the English Civil War, Herrick was ejected from his vicarage for refusing the Solemn League and Covenant. He returned to London to live in Westminster and depend on the charity of his friends and family. He spent some time preparing his lyric poems for publication and had them printed in 1648 under the title Hesperides; or the Works both Human and Divine of Robert Herrick, with a dedication to the Prince of Wales.

When King Charles II was restored to the throne in 1660, Herrick petitioned for his own restoration to his living. He had obtained favour by writing verses celebrating the births of both Charles II and his brother James before the Civil War. Herrick became the vicar of Dean Prior again in the summer of 1662 and lived there until his death in October 1674, at the age of 83. His date of death is unknown, but he was buried on 15 October.

Herrick was a bachelor all his life. Many of the women he names in his poems are thought to be fictional. He is buried in the churchyard of St George the Martyr parish church, Dean Prior.


Biographies taken from Wkipaedia.

Sunday 2 October 2022

The anthem was "The Lord Hath Been Mindful Of Us" from "Ascribe Unto The Lord" by Samuel Wesley

This is the final part of Ascribe unto the Lord which is a setting of Psalm 96, verses 7-10, 2, 3 and 5 and Psalm 115, verses 4-8, 3,and 12-15.

The LORD hath been mindful of us: he will bless us; he will bless the house of Israel; he will bless the house of Aaron.
He will bless them that fear the LORD, both small and great.
The LORD shall increase you more and more, you and your children.
Ye are blessed of the LORD which made heaven and earth.

Samuel Sebastian Wesley (1810 - 1876) was the illegitimate son of Samuel Wesley and Sarah Souter, and grandchild of Charles Wesley. 

After singing in the choir of the Chapel Royal as a boy, Samuel Sebastian embarked on a career as a musician, and was appointed organist at Hereford Cathedral in 1832. While there he married the sister of the Dean, John Merryweather. S.S. Wesley was, like his father Samuel Wesley, a Freemason. He was initiated in Palladian Lodge No.120 in Hereford on 17 September 1833. He moved to Exeter Cathedral three years later, and joined St George's Lodge No.129 Exeter on 10 December 1835. He subsequently held appointments at Leeds Parish Church (now Leeds Minster) (from 1842), Winchester Cathedral (from 1849), Winchester College and Gloucester Cathedral (1865-1876). In 1839 he received both his Bachelor of Music degree and a Doctor of Music degree from Oxford. He became a Professor of Organ at the Royal Academy of Music in 1850. He died at his home in Gloucester on 19 April 1876 aged 65. He is buried next to his daughter in St. Bartholomew's Cemetery in Exeter by the old City Wall. There are memorial tablets to him in Exeter Cathedral and Winchester Cathedral, and his memorial at Gloucester Cathedral is in stained glass.

Famous in his lifetime as one of his country's leading organists and choirmasters, he composed almost exclusively for the Church of England, which continues to cherish his memory. His better-known anthems include Thou wilt keep him in perfect peace and Wash me throughly. He also wrote several rather late examples of verse anthems, which contrast unison and contrapuntal sections with smaller, more intimate passages for solo voice or voices. Blessed be the God and Father, The Wilderness and Ascribe unto the Lord are of considerable length, as is his Service in E.

The popular short anthem Lead me, Lord is an extract from Praise the Lord, O my soul. Several of his pieces for solo organ have enduring value and continue to be played in recitals now and then.

Of his hymn tunes the best-known are "Aurelia" and "Hereford." "Aurelia" has been widely adopted in the United States, and is regularly heard there. Usually now sung to the words "The Church's One Foundation", Wesley composed the tune for the hymn "Jerusalem the Golden", hence the name "Aurelia".

One notable feature of his career is his aversion to equal temperament, an aversion which he kept for decades after this tuning method had been accepted on the Continent and even in most of England. Such distaste did not stop him from substantial use of chromaticism in several of his published compositions.

While at Winchester Cathedral Wesley was largely responsible for the Cathedral's acquisition in 1854 of the Father Willis organ which had been exhibited at The Great Exhibition, 1851. The success of the Exhibition organ led directly to the award of the contract to Willis for a 100-stop organ for St George's Hall, Liverpool built in 1855. Wesley was the consultant for this major and important project, but the organ was, arguably, impaired for some years by Wesley's insistence that it be tuned to unequal temperament.

Wesley, with Father Willis, can be credited with the invention of the concave and radiating organ pedalboard, but demurred when Willis proposed that it should be known as the "Wesley-Willis" pedalboard. However, their joint conception has been largely adopted as an international standard for organs throughout the English-speaking world and those exported elsewhere.


Samuel Sebastian Wesley picture and words taken from Wikipedia


Sunday 25 September 2022

Sunday 25th September 2022 Trinity 15

  Ave Verum  Charles Gounod (1818-1893)


"Ave verum corpus" is a short Eucharistic chant that has been set to music by many composers. It dates to the 13th century, first recorded in a central Italian Franciscan manuscript (Chicago, Newberry Library, 24). A Reichenau manuscript of the 14th century attributes it to Pope Innocent (variously identified as Innocent III, Innocent IV, Innocent V, or Innocent VI)

During the Middle Ages it was sung at the elevation of the Eucharist during the consecration at Mass. It was also used frequently during Benediction of the Blessed Sacrament.

Latin
Ave verum corpus, natum
de Maria Virgine,
vere passum, immolatum
in cruce pro homine
cuius latus perforatum
fluxit aqua et sanguine:
esto nobis prægustatum
in mortis examine.

O Iesu dulcis, O Iesu pie,
O Iesu, fili Mariae.
Miserere mei. Amen.

 
Hail, true Body, born
of the Virgin Mary,
having truly suffered, sacrificed
on the cross for mankind,
from whose pierced side
water and blood flowed:
Be for us a foretaste [of the Heavenly banquet]
in the trial of death!

O sweet Jesus, O holy Jesus,
O Jesus, son of Mary,
have mercy on me. Amen.

Taken from Wikipedia

The prayer is a meditation on Jesus's Real Presence in the Blessed Sacrament, and ties it to the redemptive meaning of suffering in the life of all believers.

Gounod was born in Paris,  his father an artist and his mother a pianist and also his first piano teacher.  He showed an early aptitude for music.  He studied at the Paris Conservatoire and won the Prix de Rome in 1839 for his Cantata Fernand.  He contemplated taking holy orders but went back to composition before taking his vows.  In 1854 he competed a Messe Solennelle also know as St Cecilia Mass.
The sister of Felix Mendelssohn, Fanny, introduced Gounod to the works of JS Bach, in particcular he admired The Well-Tempered Clavier  and it inspired him to write a melody to the Prelude in C major, later adding the words "Ave Maria" and it became a success. in 1859 he wrote Faust for which he is best remembered.
Between 1870 and 1874, Gounod lived in London, becoming conductor the Royal Choral Society. Much of his music at this time was choral.
As he grew older his music became more sacred. He was made a Grand Officer of the Légion d'honneur in 1888 and died of a stroke in 1893.

Taken from Wikipedia

Sunday 18 September 2022

Sunday 18th September 2022 Trinity 14

The anthem was "Turn thy face from my sins" by Thomas Attwood (1765 - 1838)  based on Psalm 51 vv 9-11.

Attwood was born in London, the son of a musician in the royal band. He became a chorister in the Chapel Royal by the age of nine.  He was sent abroad to study at the expense of the Prince of Wales (later George IV) who was impressed by his skill at the harpsichord.  He was a favourite pupil of Mozart. He returned to London in 1787.

In 1796 he was made organist of St Paul's and the same year composer of the Chapel Royal.  For George IV's coronation he wrote the anthem "I was glad".

Much of his work is forgotten, only a few anthems regularly performed including "Turn thy face from my sins".e from thy sins    Thomas Attwood  (1765-1838)

Attwood was born in London, the son of a musician in the royal band. He became a chorister in the Chapel Royal by the age of nine.  He was sent abroad to study at the expense of the Prince of Wales (later George IV) who was impressed by his skill at the harpsichord.  He was a favourite pupil of Mozart. He returned to London in 1787.

In 1796 he was made organist of St Paul's and the same year composer of the Chapel Royal.  For George IV's coronation he wrote the anthem "I was glad".

Much of his work is forgotten, only a few anthems regularly performed including "Turn thy face from my sin
Thomas Attwood
Thomas Attwood from Wikipedia

Sunday 4 September 2022

Sunday 4th September 2022 Patronal Festival. Welcome to Fr Chris

Ave Maria  Opus 67, No 2   Gabriel Fauré

This is a setting of "Hail Mary, full of grace" by Gabriel Fauré. It is written for boys or female voices with organ or piano. It is sung in unison, with a lot of dynamic change to emphasise the words, but mostly piano or softly. It is also sung at a gentle pace reflecting that this piece is a musical prayer.

Gabriel Urbain Fauré 12 May 1845 – 4 November 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his Pavane, Requiem, Sicilienne, nocturnes for piano and the songs "Après un rêve" and "Clair de lune". Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmonically and melodically complex style.

Fauré was born into a cultured but not especially musical family. His talent became clear when he was a small boy. At the age of nine, he was sent to the Ecole Niedermeyer music college in Paris, where he was trained to be a church organist and choirmaster. Among his teachers was Camille Saint-Saëns, who became a lifelong friend. After graduating from the college in 1865, Fauré earned a modest living as an organist and teacher, leaving him little time for composition. When he became successful in his middle age, holding the important posts of organist of the Église de la Madeleine and director of the Paris Conservatoire, he still lacked time for composing; he retreated to the countryside in the summer holidays to concentrate on composition. By his last years, Fauré was recognised in France as the leading French composer of his day. An unprecedented national musical tribute was held for him in Paris in 1922, headed by the president of the French Republic. Outside France, Fauré's music took decades to become widely accepted, except in Britain, where he had many admirers during his lifetime.

Fauré's music has been described as linking the end of Romanticism with the modernism of the second quarter of the 20th century. When he was born, Chopin was still composing, and by the time of Fauré's death, jazz and the atonal music of the Second Viennese School were being heard. The Grove Dictionary of Music and Musicians, which describes him as the most advanced composer of his generation in France, notes that his harmonic and melodic innovations influenced the teaching of harmony for later generations. During the last twenty years of his life, he suffered from increasing deafness. In contrast with the charm of his earlier music, his works from this period are sometimes elusive and withdrawn in character, and at other times turbulent and impassioned.

Taken from Wikipedia


Ave Verum Corpus  Mozart

Ave Verum Corpus (Hail, true body) is a setting of the Latin Hymn, in D major.  It was written for Anton Stoll, a friend and church musician of St Stephen, Baden.

It was composed in 1791 whilst visiting his wife Constanze who was pregnant with their 6th child and staying at the spa Baden bei Wien.  It was composed for the feast of Corpus Christi.  Mozart's manuscript has only "Sotto voce" marked at the beginning with no other markings.

Wolfgang Amadeus Mozart (1756 - 1791)

Mozart was a child prodigy competent on keyboard and violin.  He began composing at the age of five. He performed around Europe for royalty.  At the age of 17 he was engaged as a musician at the Salzburg court but was restless and travelled looking for a better position.  Whilst visiting Vienna he was dismissed from his position in Salzburg.  He remained in Vienna, where he gained fame but no financial security.

He composed more than 600 works, many acknowledged as the finest in symphonies, concertante, operatic, chamber and choral music.  He remains one of the best loved classical composers, whose work influenced many composers.  Joseph Haydn said of Mozart "Posterity will not see such a talent again in 100 years."

W A Mozart from Wikipedia