Welcome to the Saint Mary choir blog.

The church has both an adult and junior choir. We are affiliated to the Royal School of Church Music(RSCM). The junior choir are provided with tuition to enable them to gain their RSCM medals.

The senior choir is a SATB choir with its main responsibility to sing at the 10am Sunday service, including an anthem. See below for more details.

Our choirs do not require any fees to belong to them. New members to both the senior and junior choir are always welcome, whatever their standard. If you are interested in joining us please contact our Director of Music (Joanna) via the  Contact Us page.

Sunday, 8 September 2024

Sunday 8th September 2024 Patronal Festival

As befits our patronal festival, all the hymns today were about the Virgin Mary. Our anthem was

Ave Maria Opus 67 No 2 Fauré 

This is a unison piece first published in 1895. Today it was sung by the ladies only.

Ave Maria gratia plena
Dominus tecum
Benedicta tu in mulieribus
Et benedictus fructus ventris tui Jesus
Sancta Maria, Mater Dei
Ora pro nobis peccatoribus
Nunc et in hora mortis nostrae
Amen

Hail Mary, full of grace, the Lord is with thee.
Blessed art thou among women,
and blessed is the fruit of thy womb, Jesus.
Holy Mary, Mother of God,
pray for us sinners,
now and in the hour of our death. Amen.

The Ave Maria is one of the most recognizable and well-known prayers throughout the Western world, known to many people who are not Christian or religious at all. Its content inspired leagues of composers and musicians to write some of their most memorable works. 

Gabriel Urbain Fauré (French: 12 May 1845 – 4 November 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his Pavane, Requiem, Sicilienne, nocturnes for piano and the songs "Après un rêve" and "Clair de lune". Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmonically and melodically complex style.

Fauré was born into a cultured but not especially musical family. His talent became clear when he was a young boy. At the age of nine, he was sent to the École Niedermeyer music college in Paris, where he was trained to be a church organist and choirmaster. Among his teachers was Camille Saint-Saëns, who became a lifelong friend. After graduating from the college in 1865, Fauré earned a modest living as an organist and teacher, leaving him little time for composition. When he became successful in his middle age, holding the important posts of organist of the Église de la Madeleine and director of the Paris Conservatoire, he still lacked time for composing; he retreated to the countryside in the summer holidays to concentrate on composition. By his last years, he was recognised in France as the leading French composer of his day. An unprecedented national musical tribute was held for him in Paris in 1922, headed by the president of the French Republic. Outside France, Fauré's music took decades to become widely accepted, except in Britain, where he had many admirers during his lifetime.

Fauré's music has been described as linking the end of Romanticism with the modernism of the second quarter of the 20th century. When he was born, Chopin was still composing, and by the time of Fauré's death, jazz and the atonal music of the Second Viennese School were being heard. The Grove Dictionary of Music and Musicians, which describes him as the most advanced composer of his generation in France, notes that his harmonic and melodic innovations influenced the teaching of harmony for later generations. During the last twenty years of his life, he suffered from increasing deafness. In contrast with the charm of his earlier music, his works from this period are sometimes elusive and withdrawn in character, and at other times turbulent and impassioned.

Taken from Wikipedia

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